Kate begins by selecting a live specimen and then composes the plant in a
way that best expresses the plant's individual and unique
characteristics. She then does a quick gesture sketch on tissue to
determine size and placement. Her specimens are then drawn on vellum
with great detail and exactly to scale. Nessler prefers calfskin
vellum for her work because the surface quality is unique, varied and rich.
Much
care is taken in the selection and preparation of a skin for each painting:
the surface is inspected for color, texture, visible markings, and
distinguishing characteristics before the decision is made as to where on
the skin the painting will be placed. After the drawing is completed,
transparent watercolor is applied in dry brush technique. Fine, light,
pencil-like strokes gradually build color upon color. This slow, methodical
process continues until the depth of color and detail of the specimen is
completed and the essence of the plant is realized.
Much
care is taken in the selection and preparation of a skin for each painting:
the surface is inspected for color, texture, visible markings, and
distinguishing characteristics before the decision is made as to where on
the skin the painting will be placed. After the drawing is completed,
transparent watercolor is applied in dry brush technique. Fine, light,
pencil-like strokes gradually build color upon color. This slow, methodical
process continues until the depth of color and detail of the specimen is
completed and the essence of the plant is realized.